Time transcripts of DMACSocialRelations1019 [00:00:00:060] One of the draws to DMAC is the chance to meet, interact, collaborate, teach, [00:00:06:810] and learn from a variety of people across the country. [00:00:10:330] The technical skills such as Audacity, WordPress, or iMovie [00:00:13:267] could be learned online through video or text tutorials, [00:00:17:360] but for many participants the personal learning experience is more effective and valuable. [00:00:22:195] In this section, I focus on the social relationships [00:00:25:201] that characterize for so many scholars their experience at DMAC. [00:00:29:264] More specifically, I'm interested in how the DMAC participants characterize the social relationships [00:00:35:960] at their home institutions in terms of digital media and composition, [00:00:39:261] how the social relationships at DMAC have impacted their learning experience, [00:00:44:540] and subsequently what can be generalized about the participants' experience [00:00:47:258] as we apply their thoughts to other digital learning situations. [00:00:50:285] When asked about their home institutions and the types of support [00:00:53:273] available for digital media and composing work, [00:00:56:225] many of the interviewees immediately began to detail the physical and material infrastructures in place. [00:01:02:279] Computer labs devoted to other classes, broken or outdated technologies, [00:01:07:219] and lack of funding for new technology or training were some of the shared concerns. [00:01:12:207] Interestingly, it was only when prompted to consider the social relationships [00:01:17:330] as part of the support available at their home institutions [00:01:20:240] did the participants consider the social capital that was available or lacking at their school. [00:01:25:255] On-campus technology centers and individuals engaged in digital work were identified [00:01:30:255] as some of the social resources available to interested parties at home institutions. [00:01:35:246] However, there were both significant benefits and challenges for the interviewees [00:01:39:249] in accessing and maintaining these relationships. [00:01:42:270] Many of the interviews expressed that there were places on their campuses [00:01:46:231] where digital work was occurring. [00:01:48:141] [Rachel] The Digital Storytelling Project because we're conceiving of it as community literacy. [00:01:54:261] In other words, taking writing into the community and creating opportunities [00:02:00:240] for community members to write around issues of significance to them. [00:02:03:138] [Crystal] There's also the Sweetland Center for Writing at the University of Michigan. [00:02:06:102] So at Sweetland there are lots, lots of things going on with new media. [00:02:10:360] There are specific classes over there offered through Sweetland for, you know, [00:02:13:237] like blogging or different types of technologies and platforms. [00:02:19:111] [Nicole] We have a faculty technology center which will train people how to use things, but they don't look at pedagogy at all, [00:02:27:102] whereas the rest of us in our department are kind of looking at pedagogy first, [00:02:31:273] and "OK, How can we do this? [00:02:33:204] How can we use this to help teach the things that we want to teach? [00:02:38:270] How can we have students use this to help learn the things that they need to learn?" [00:02:43:204] [Crystal] So there are some things going on, [00:02:45:183] but I would say they're a little bit diversified and going on in different places. [00:02:49:270] [Narrator] The participants overall emphasized the need to establish stronger relationships [00:02:54:360] with like-minded individuals and groups who are engaged in digital media work. [00:02:58:207] In addition to the support of permanent structures such as on-campus technology centers, [00:03:04:330] the DMAC participants also discussed the individual social relationships [00:03:08:123] that characterized their home institution's support of digital media and composition work. [00:03:14:780] [Lanette] Our desire outreaches our grasp so far. [00:03:19:930] [Nicole] We have a lot of people who want to do things, [00:03:21:249] but maybe we don't have the language or the tools right now. [00:03:26:390] [Rachel] It's like everyone is using the same language to mean different things, [00:03:31:930] if that makes any sense at all, [00:03:34:150] and getting everybody on the same page across disciplines to talk about digital media [00:03:41:330] in the classroom seems to have been very difficult in the department and across campus. [00:03:46:147] [Charlene] Many of them did not know what I meant when I said "digital composition," [00:03:54:174] and it seemed to create such a large gap [00:04:00:810] that I was running into problems of explaining it to certain people. [00:04:05:150] [Narrator] For the participants, the DMAC experience provided them [00:04:08:165] with a model of another way of learning about and practicing digital media and composition. [00:04:14:204] All of the interviewees identified the collaborative experience [00:04:18:990] as vitally important to their learning experience because of the opportunities to teach, [00:04:23:186] learn, and support one another across positions. [00:04:27:168] [Lanette] It helps me to sit in the student spot. It's been a few years. [00:04:33:900] It helps me to bite my tongue and let others speak [00:04:39:252] because as a teacher you're always used to being the one that's speaking. [00:04:44:300] It's, it's a good experience. [00:04:47:960] [Sean] I learn really well from, from, teaching and sort of explaining to other people. [00:04:53:207] Sharing what I know with somebody else really helps me with my learning, [00:04:58:195] and it helps me just saying those words out loud to kind of think critically [00:05:02:930] about my beliefs on the subject, whatever it is. [00:05:07:030] And DMAC has provided a lot of opportunities for those kinds of interactions. [00:05:11:140] [Narrator] Due to the transactional exchange of digital technology information and skills, [00:05:16:100] the emotional support from peers, and the nonhierarchical, non-competitive [00:05:20:280] social atmosphere, the DMAC experience emphasized the community [00:05:25:170] as essential to the practice of digital media. [00:05:29:020] As many of the participants reiterated, DMAC's focus is on people first, [00:05:33:260] not digital technologies and tools. [00:05:36:120] By participating in DMAC, the individuals identified various ways to engage [00:05:41:020] other stakeholders at their home institution in order to create community of practice. [00:05:47:090] [Sally] Enlistment through excitement, you know, what we do really is exciting. [00:05:51:270] And if you can get it out there and showcase it and still, you know, pitch it [00:06:00:160] to the interests of the university, I know that's the way to go. [00:06:04:080] [Charlene] Maybe, no, not even maybe, I think I will go back and be like, [00:06:09:160] "Hey, I've got some stuff that I learned that I think you guys can use. [00:06:14:160] Let's talk about this." [00:06:16:190] [Pennie] I guess I'm hoping that maybe I can help other people who are also, you know, [00:06:22:040] not as able with this kind of stuff. Like maybe I can be a bit of a "returning native," you know. [00:06:29:130] I visited the Land of Technology and all of this stuff, I was there for two weeks, [00:06:32:250] I've learned some stuff, now I can talk with you a little bit [00:06:35:140] and help you get a little more comfortable. [00:06:37:040] [Narrator] Overwhelmingly, the participants focused on the social relationships [00:06:39:280] that would facilitate such a culture and what it would feel like as [00:06:43:040] opposed to what hardware or software would be present. [00:06:47:030] The DMAC participants suggest that the power of communities of practice like DMAC is rooted [00:06:52:000] equally in the community and practice component. [00:06:55:230] As composers, researchers, teachers, administrators, practitioners, [00:07:00:170] and community members, we should consider how to facilitate the social aspects of a culture, [00:07:05:300] including the community and practice elements, [00:07:08:180] in order to best support and advocate for digital media and composing work.