Time transcripts of Q2 -for-CandC-Online [00:00:00:01] Interviewer: So...had you ever done anything like this before? [00:00:04:01] ..composing with video, or.... [00:00:08:02] Katherine Heenan: I had never created anything with video before. i mean, I've done...I have a camera [00:00:12:03] and it uh will record video but I've never edited or manipulated [00:00:16:04] video at all. Crystal Gorham Doss: No, nothing even close. [00:00:16:05] video at all. Crystal Gorham Doss: No, nothing even close. (laughs) [00:00:20:07] Annie McGreevy: I had not, no, and it's kind of blown me away, um, I [00:00:24:08] I write, I primarily write fiction. I've..I'm... [00:00:28:09] in the baby stages of writing an article, I've written some non-fiction and poetry, but [00:00:32:10] everything I've written has been pure, alphabetic text. Jill Lambert: No. [00:00:36:12] This was absolutely new to me. I mean, it's..it's why I came [00:00:36:12] This was absolutely new to me. I mean, it's...it's why I came [00:00:40:14] to learn how to um...to write and compose [00:00:44:17] in ways that I would like to take back to my own classroom. [00:00:48:17] Henrietta Rix Wood: I have never done any of this before. This has been immersion. [00:00:52:18] I feel like I was dropped into a foreign country [00:00:56:18] where nobody speaks my language but they are asking me to do [00:01:00:19] really complicated things. Allison Hammond: No. Not exactly. [00:01:04:20] I have played around with it. I had played around with around it. I once, uh, [00:01:08:21] created (laughs) a CD-ROM of um [00:01:12:21] music clips for a trivia music round. And I [00:01:16:23] got a little obsessed with it, so I was familiar with that [00:01:20:24] perfectionist impulse kind of taking over but [00:01:24:24] um..no, not exactly like this, no. Christina LaVecchia: I hadn't, um, it's [00:01:28:26] something I've been interested in for a long time, and I had some [00:01:32:28] of these programs that we're using at this institute this week already on my computer [00:01:36:29] but (sighs) I hadn't played around with them yet. I hadn't [00:01:41:00] really figured out how they worked. I'd done a little bit of work in Audacity before [00:01:45:03] for instance, an audio-editing software tool, but I hadn't really [00:01:49:04] figured out everything you could with it...um...I still haven't figured [00:01:53:04] that out, but I feel like I understand how it works a lot more now. Um... [00:01:57:05] And, yeah, I haven't ever played around with video [00:02:01:05] before, really. Once or twice I've kind of thrown video into a PowerPoint [00:02:05:06] or kind of...I made up a backup once of a PowerPoint that had video [00:02:09:07] just by stringing all the videos together into one long file, but there wasn't [00:02:13:08] any-apart from arranging them in order-there wasn't really any [00:02:17:10] kind of active composing happen there. It was kind of being thrown all together just [00:02:21:11] so I had something to back up, in case my PowerPoint didn't quite work out for a presentation [00:02:25:13] I was doing. Laura Michael Brown: No, not really, not beyond like making [00:02:29:14] music videos with my friend in high school (laughs), um, but she did [00:02:33:16] all the sort of production end, so, no. I don't have, um, [00:02:37:16] a lot of experience with really incorporating like the audio or the video. [00:02:41:16] Maurine Ogbaa: I'm trying...I think that I've, um... [00:02:45:17] I've done a few personal, small-scale projects, um [00:02:49:18] and they were very small-scale, like I built a, um [00:02:53:19] I don't know if "built" is right word, but basically a birthday card for [00:02:57:19] my friend using MovieMaker and it was just images [00:03:01:21] and then on it I laid an audio track, and... This was a couple of years ago [00:03:05:21] and I had no idea what I was doing, and never did it again for whatever reason [00:03:09:24] but, that's my only real experience. Renee Shea: Absolutely [00:03:13:26] nothing, absolutely nothing. I appreciate it, I've worked [00:03:17:27] with teachers, encouraged students to do it. Um...I'm a good critic of it [00:03:22:00] but I never did any original work myself. [00:03:26:00] Eddie Singleton: Yes. I have asked [00:03:30:01] people to do it, as the person responsible [00:03:34:01] for the curriculum for, um, making some [00:03:38:03] determination about what students will do in writing classes [00:03:42:04] I, uh, have introduced an element of multimodal digital [00:03:46:05] composition to the standard curriculum [00:03:50:07] so, to that degree I have done that. Other [00:03:54:08] that that, from a professional standpoint, no. I have... [00:03:58:10] I enjoy messing around, and I enjoy, you know, creative [00:03:54:08] [00:04:02:11] endeavors, but, there's nothing on my cv that is [00:04:06:13] uh, multimodal or digital. Danielle Williams: I had no myself. I've assigned it [00:04:10:14] several times to my students, I've messed around with the programs enough to know kind of what [00:04:14:17] to expect, um, but I had never actually had to do it, with a deadline [00:04:18:21] um, and all the things I ask of my students, so I had to kind of switch to the other side. [00:04:22:21] Theresa Dark: I've actually done some videos of my students [00:04:26:22] when I taught Fundamentals of Speech. So I had all of my [00:04:30:22] students videotaped and I did all the videotaping. I have not done [00:04:34:23] any traditional cutting, with their particularly work. I have [00:04:38:26] done, for a project in my course of education, [00:04:42:26] where I was clipping pieces of video and pieces of audio [00:04:46:27] attached to video for, uh, an oral, uh [00:04:50:28] literacy project that I had worked on with one of my professors. So, I have done [00:04:54:29] some of that, but not for my own work where I kept playing with and I was [00:04:59:02] the audio or that kind of thing, so.... Paul Butler: I actually [00:05:03:04] have done something like it before, um, and the closest [00:05:07:06] that really comes to what we have done is [00:05:11:08] when I was in a journalism program for a year at the University of [00:05:15:08] Southern California and we recorded and edited [00:05:19:09] audio, so... And actually I [00:05:23:10] shouldn't say audio, well there was audio in it but it was more [00:05:27:10] uh, you know, footage for [00:05:31:11] commercials and then for news segments that we were doing, so [00:05:35:13] I have a little bit of field editing experience that went into it before [00:05:39:14] but for the most part, this was the first time I'd brought both media together [00:05:43:14] Sara Cooper: I have worked on stop motion animation [00:05:47:17] projects, but largely--I was working with a filmmaker who was doing a lot of the [00:05:51:18] editing part himself, so, I've thought a lot about video [00:05:55:20] but I haven't had the chance to really get in and get my hands dirty and work [00:05:59:21] specifically with the programs. Brian Harmon: This is not [00:06:03:23] the first time that I've done work like we've done at DMAC, um [00:06:07:24] but it is the first time I've done some work with iMovie, so it was a learning experience [00:06:11:25] but also something that I was familiar with. Kara Poe Alexander: Yes, I had. [00:06:15:25] Um, about ten years ago I took a course from Cindy Selfe at the [00:06:19:26] at U of L, she was the Watson Professor, and so I took a course [00:06:23:27] um, one of the first that she had ever taught in it and so [00:06:27:28] It was in '04. It's been quite a while, though, since I'd done the production [00:06:32:01] I've continued to teach the essays and these types of projects [00:06:36:03] over the years but I had not composed one of these [00:06:40:05] essays since that time. Erin Cahill: A little bit. Some of the projects that I've done... Well, first [00:06:44:07] off I took Dr. Dewitt's Digital Media course [00:06:48:08] this last semester, so we've done a lot with iMovie for that for [00:06:52:10] some book trailer projects and such. And then, um, in previous [00:06:56:10] I've done previous projects in other classes just with slides and videos and things [00:07:00:10] like that. So nothing too crazy. Nothing so precise as this [00:07:04:11] per se, and it was definitely to have a lot of the other tools, like Audacity, to [00:07:08:12] be working with, and...I wish I would have had Photoshop by that point, but I mean, I could see [00:07:12:13] it was kind of a good way of bringing together a lot of the technologies that we had been [00:07:16:14] learning throughout the workshop so far. [00:07:20:15] Kaitlin Clinnin: Luckily, being a grad student at Ohio State [00:07:24:18] we're very...we're trained to work in this [00:07:28:20] like with video in various classes, especially since I'm in the Digital Media [00:07:32:21] concentration, uh, I've taken classes with Cindy so we've done a lot of the [00:07:36:22] iMovie work. And I took a class with Scott last semester [00:07:40:22] so I've been pretty familiar with most of [00:07:44:24] the, if not the exact program we've been using [00:07:48:24] um, then at least how to go about working with the media. [00:07:52:25] Randy Gonzales: Yes, I've composed with video and audio. I've taught [00:07:56:25] some Composition with video and audio as well. Pod casts [00:08:00:26] and things like that. Torsa Ghosal: Yes, actually [00:08:04:27] through all of my graduate classes I have [00:08:08:28] um, made presentations which incorporate [00:08:12:29] images or sound files [00:08:17:00] sometimes video file; however, when it came to the [00:08:21:02] reiteration of the same in like [00:08:25:03] portfolio papers or things like that I would generally kind of trim [00:08:29:04] down the images and everything and present it...I mean, still I could [00:08:33:06] perhaps present images but when it came to videos or sound files I would [00:08:37:08] really have to think of ways by which I would have kind of steer clear of those [00:08:41:09] so that I could actually turn in a very traditional scholarly essay. Interviewer: ...move back to [00:08:45:09] alphabetic. Torsa Ghosal: Yes. Uh, so. Like the submissions would often [00:08:49:10] be alphabetic whereas the presentation of the submission would always be multimodal. [00:08:53:10] Van E. Hillard: I've written about [00:08:57:11] the visual, and have written about material [00:09:01:12] culture as well as terms of its rhetorical uses. [00:09:05:15] I've generally be interested in what [00:09:09:16] Tom Mitchell calls the visual-textual exchange, right, and [00:09:13:16] have brought the visual into the study of rhetoric [00:09:17:17] for my students. I've been also interested in the [00:09:21:19] use of what I would call "excitable images" in the news [00:09:25:19] images of trauma, suffering and pain, and the ways in which [00:09:29:21] those occupy a kind of problematic [00:09:33:23] space in the, not only the [00:09:37:24] production of news, but in documentary and [00:09:41:25] how the pain of others has been represented. [00:09:41:26] how the pain of others has been represented. [00:09:45:27] Jeffrey Kaufmann: I have done video, and um [00:09:49:28] just basically made [00:09:53:28] videos, [sounds of people passing in the hall] some slides, video, [00:09:57:29] I recently did a reflective piece where I looked at [00:10:02:00] a photoessay and tried to ask myself [00:10:06:01] questions like "Why did I do that, what was my choice..." One of the things [00:10:10:03] I came to realize early on in that [00:10:14:04] process was, I mean, I prefer [00:10:18:05] text. My habit is text. So I've got to [00:10:22:07] actually struggle with [00:10:26:09] getting out of my comfort zone to think [00:10:30:09] in other modes. [00:10:30:10] [00:10:31:27]